boredom is always counter-revolutionary


The Robinson Mythos from Defoe to Keiller

What follows is the paper I gave at the 2011World Picture conference, which had the theme of ‘distance’. My paper is titled ‘Distant Relatives: The Robinson Mythos from Defoe to Keiller’, and attempts to chart a particular Robinson tradition through the long twentieth century, via Rimbaud, Kafka, Celine, Weldon Kees, Christopher Petit and Patrick Keiller–a counter-tradition and detournement of the bourgeois Robinson tradition that has Crusoe as its patriarch. I’m not so sure the paper introduces itself correctly, and it lacks a final consolidatory thrust, but I include it here as it might prove to be a useful resource for someone, somewhere, at some time…

Distant Relatives: The Robinson Mythos from Defoe to Keiller

I

At the beginning of the film London, written, directed and shot by Patrick Keiller in 1992, the narrator introduces the central character, Robinson, a part-time lecturer who in recent months has become increasingly reclusive. Once a keen traveller, Robinson now rarely leaves his flat as he wrestles with what he calls ‘the problem of London’. The narrator explains that he and Robinson shall, on the latter’s insistence, undertake a series of journeys around the city; journeys which will, hopefully, diagnose and remedy this problem. (more…)



New World Picture
December 22, 2011, 1:42 pm
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WRONG!

Table of Contents
Mark Andrejevic
Estrangement 2.0

Bishnupriya Ghosh
Governing by Wrong
Sam Lipsyte
in conversation with Brian Price and Meghan Sutherland
Acategorical Imperatives
Lucy Raven
Tech City


Call for Papers – Situationist Aesthetics – Please submit, circulate and attend!

I’m organising a conference! Please submit an abstract or circulate the CFP to anyone who might be interested!

Situationist Aesthetics: The SI, Now

University of Sussex, Brighton, UK – Friday 8th June 2012

Keynote: McKenzie Wark (The New School, NY), author of The Beach Beneath the Street: The Everyday Life and Glorious Times of the Situationist International (2011), Gamer Theory (2007) and Hacker Manifesto (2004).

Since the beginning of the movement there has been a problem as to what to call artistic works by members of the SI. It was understood that none of them was a situationist production, but what to call them? I propose a very simple rule: to call them ‘antisituationist.’ We are against the dominant conditions of artistic inauthenticity. I don’t mean that anyone should stop painting, writing, etc. I don’t mean that that has no value. I don’t mean that we could continue to exist without doing that. But at the same time we know that such works will be coopted by society and used against us. Our impact lies in the elaboration of certain truths which have an explosive power whenever people are ready to struggle for them. At the present stage the movement is only in its infancy regarding the elaboration of these essential points.

Attila Kotányi at the Fifth Conference of the SI, 1961

Is it oxymoronic, heretical or just plain wrong to talk about Situationist aesthetics? The Situationist International (SI) condemned attempts to discuss its work in terms of aesthetics, but perhaps it is now time to brush the SI against the grain.

When it first announced its programme, the SI insisted that ‘There is no such thing as Situationism’. A few years later, before expelling its members deemed to be too invested in artistic production, the SI declared that in an age of spectacle any work of art produced by a Situationist must necessarily be ‘antisituationist’. The SI’s tactical intransigence regarding the political value of the aesthetic, and its refusal of the possibility of a specifically Situationist aesthetic, threw up problems that remained unresolved by the time of the SI’s dissolution. Since 1972, particularly in Anglophone contexts, Situationist practices have penetrated an array of cultural spheres, and much cultural production which the SI would have dismissed as spectacular has claimed some Situationist influence.

The SI located itself within but against culture. This symposium asks whether such a position is tenable, and what possibility might there be for Situationist aesthetics after all. Do cultural phenomena such as punk, or the current psychogeography industry, for example, work as or against Situationist aesthetics? Is it possible to identify art works and/or practices indebted to the SI that do not recuperate its politics but fortify and develop them?

Possible themes include, but are not limited to:

  • the work of Guy Debord and other members of the Situationist International
  • the work of artists, writers, thinkers or film-makers proximate to or influenced by the SI
  • critiques of the SI
  • (post-)Situationist theory now
  • détournement, plagiarism, and recuperation
  • spectacular and anti-spectacular aesthetics
  • the uses and abuses of psychogeography
  • punk and art writing

Please submit proposals of no more than 250 words for papers or presentations of 20 minutes to Sam Cooper at situ.aesthetics@gmail.com by 16th March 2012. For further information: situationist-aesthetics.blogspot.com.



Chapter Wordles
October 10, 2011, 4:31 pm
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I’m on the home straight for submitting my thesis, which means it might be a while yet before I have any time to update this blog. In the meantime, I’ve included below some Wordle illustrations of frequently used words in each of my (provisionally titled) chapters.

Chapter 1 – The Dialectics of English Surrealism

Chapter 2 – Surrealism put to work: Mass-Observation

(more…)



McKenzie Wark Interview

I interviewed McKenzie Wark last week for Berfrois.

I’ve always been much more interested in something else: The self-conscious attempt to construct conceptual practices outside of formal settings. That is what Marx did, it’s what Freud did, it’s what Benjamin did; I’d even say it’s what Nietzsche did, because of course he’s on ‘permanent leave’ when he’s writing all these amazing books, when he’s already losing it. Somehow, these guys are all now ‘high theory’, but that’s not where they came from whatsoever. Marx is not a philosopher, Freud is not a philosopher, Benjamin is not a philosopher; I’d even say Nietzsche is not a philosopher. They’re all doing ‘low theory’, and I’m trying to tell stories that fit into that tradition, maybe not at that level, but as a whole other way of thinking about the practice of knowledge in everyday life. This puts on the table the question of the politics of knowledge in a way that can’t be directly asked, or answered, in the space of the university.



Riot Polit-Econ
August 23, 2011, 12:21 pm
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In the clusterfuck of analysis of the August riots, ‘Riot Polit-Econ‘ over at Mute (or Pdf) seems, to me, to be a particularly incendiary piece. The ‘Khalid Qureshi Foundation and Chelsea Ives Youth Centre’ claim that their analysis is one that rejects bourgeois-liberal-moralist as well as rote leftist perspectives, and offers instead an account of the profits of the ‘immiseration industries’ which do the dirty work, so to speak, now that the retail wings of banks have supposedly become moralistic, and which maintain the structural dynamics of service industry economies.*

Sample quote:

the press gesticulate at their demonstration-model abyss and moan about the ‘nihilism’ of the riots which shattered the facades of so many betting shops; and the sky does not fall in. But fulmination against the destructive ‘nihilism’ of the riots merely underwrites what it claims to protest against, because it refuses to acknowledge just how much of our social ‘fabric’ would have to be destroyed if any social life were to be more than accidentally livable. In the future, it must by now be obvious to anyone without a derivatives portfolio that effective social action will have to be more and not less destructive, because less and less of that fabric is capable of being redeemed merely by a modification in the terms of its ownership. However important concerns about the ‘proper’ targeting of destruction may be, when their social function is to serve as a gag – and it usually is – better not to let them be put in your mouth.

There are a couple of sections in ‘Riot Polit-Econ’, toward the end, which I either don’t follow or which seem to make rather large and unannounced stepping-stone steps over some issues and onto others. The analysis deals well in political economy, not so well in race. For example, I’m not sure of the origins or source of these lines of questioning:

But what is the relationship then between structural long term unemployment and co-incident class and ethnic divisions within ‘communities’? How do ethnically defined petit bourgeois groups constitute themselves? If they do so in certain material settings through crime, why is this? This is to suggest that the subsistence-level underclasses of the UK, including ethnically specifiable petit bourgeois elements, may have relied for whatever material security they do possess on recourse to extra-legal economies.

Similarly, the analysis of community defence groups feels rather ramshackle. However, the writers acknowledge their (our) ‘current outpost on the cloud of unknowing’ and, as I said, their structural analysis of a service economy is particularly illuminating.

* I’m no expert here, but I would suggest that ‘Riot Polit-Econ’ is most proximate, by way of a leftist category of analysis, to David Harvey’s ‘accumulation through dispossession’.



The Beach Beneath the Street
August 19, 2011, 12:13 pm
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By Mackenzie Wark–whose The Beach Beneath the Street: The Everyday Life and Glorious Times of the Situationist International has, I think, just been publishedan interactive guide to the Saint-Germain-des-Pres bohemian milieu from which emerged the SI:

http://vectorsjournal.org/issues/7/totality/

 

I’m not quite sure what to make of this. It reminds me of the Usborne books I read as a child, but instead of annotations like ‘The telephone can be used to speak to people in other places’, we now have ‘The spectacle is the antithesis of historical consciousness.’ Which is cool, I guess.



I’ve made it!
August 1, 2011, 8:27 pm
Filed under: Uncategorized

Yes, finally Principia Dialectica, by way of Michel Prigent, have spluttered some invective in my direction! I predicted as much six weeks ago, so PD was rather slow on the uptake, but still, it’s nice to be noticed. And, amongst other things, I’m a ‘top rated academic’ now. Who knew?!



August 1, 2011, 12:54 am
Filed under: Uncategorized

Perhaps you have already seen this and this.

Well, in the interest of public safety and in unthinking deference to state power, I hereby recommend that you report this blog to your local Police. Its author is not an anarchist but most certainly has anarchic tendencies and sympathies. When push comes to shove comes to truncheon blow, this blog’s author is on the side of the anarchists.  This blog’s author espouses direct action, will readily identify as anti-capitalist, and has even been know to listen to crass (he prefers rudimentary peni, but he is isn’t certain that the Met’s intelligence office will have delved that deeply into the crass records roster). He would gladly discuss with your local Police what he considers to be the merits and the demerits of ‘anarchism’, in relation to politics, culture and the critique of capital. If, however, your local Police  would prefer a more subterfuge (Murdochian) means of ‘intelligence’ gathering, he would advise against phone-hacking as his texts usually consist of ‘pub?’ and he doesn’t even know how to use voicemail.



summer reading
July 3, 2011, 2:15 pm
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Over at 3:AM, some summer reading lists. Mine are really obvious, I think.




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