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	<title>Comments on: A man called Berg, who changed his name to Greb, came to a seaside town intending to kill his father&#8230;.</title>
	<atom:link href="http://revolutionaryboredom.wordpress.com/2008/04/23/a-man-called-berg-who-changed-his-name-to-greb-came-to-a-seaside-town-intending-to-kill-his-father/feed/" rel="self" type="application/rss+xml" />
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		<title>By: jd</title>
		<link>http://revolutionaryboredom.wordpress.com/2008/04/23/a-man-called-berg-who-changed-his-name-to-greb-came-to-a-seaside-town-intending-to-kill-his-father/#comment-377</link>
		<dc:creator>jd</dc:creator>
		<pubDate>Fri, 25 Apr 2008 08:28:44 +0000</pubDate>
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		<description>good on your for posting this. I like the way the novel evokes, at times, the realist grit of the out-of-season british seaside resort, but mostly uses this same &#039;setting&#039; as a medium for the exploration of psychosexual/psychosocial [same thing?] paranoia. I find it hard to map the novel onto the real Brighton. It sometimes feels more like a composite portrait of south coast resorts. Or maybe I&#039;m not reading closely enough. Brighton makes relatively brief appearances in modernist literature. Alluded to metonymically in &#039;The Waste Land&#039; (the proposal of the homosexual romp: &#039;a weekend at the Metropole&#039;). &#039;Brighton Rock&#039;, of course, uses it as an Eliotic stand-in for other &#039;unreal cities&#039;, but this is Brighton as modern city and not necessarily modernist (depending on how you read Greene and how you want to construe modernism, I guess.</description>
		<content:encoded><![CDATA[<p>good on your for posting this. I like the way the novel evokes, at times, the realist grit of the out-of-season british seaside resort, but mostly uses this same &#8217;setting&#8217; as a medium for the exploration of psychosexual/psychosocial [same thing?] paranoia. I find it hard to map the novel onto the real Brighton. It sometimes feels more like a composite portrait of south coast resorts. Or maybe I&#8217;m not reading closely enough. Brighton makes relatively brief appearances in modernist literature. Alluded to metonymically in &#8216;The Waste Land&#8217; (the proposal of the homosexual romp: &#8216;a weekend at the Metropole&#8217;). &#8216;Brighton Rock&#8217;, of course, uses it as an Eliotic stand-in for other &#8216;unreal cities&#8217;, but this is Brighton as modern city and not necessarily modernist (depending on how you read Greene and how you want to construe modernism, I guess.</p>
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