boredom is always counter-revolutionary


one year old!
January 22, 2009, 2:45 am
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Yes, today is this blog’s first birthday. Thankyou to any regular – or even occasional – readers. I’d like to think the blog is always slowly improving, my main concern is trying to find the right tone (neither too academic, nor too journalistic, nor too sensationalistic, propagandist, fragmentary, wordy etc.).

Anyway, to celebrate this anniversary, I’ve changed the header image from the Marx tattoo to the infamous King Mob graffiti. King Mob is dead, long live King Mob!

SAME THING DAY AFTER DAY – TUBE – WORK – DINER – WORK – TUBE – ARMCHAIR – TV – SLEEP – TUBE – WORK – HOW MUCH MORE CAN YOU TAKE ONE IN TEN GO MAD ONE IN FIVE CRACKS UP



Surrealist Heroes
January 20, 2009, 1:42 am
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Oh, to have been a nineteenth-century poet! Below the cut, in no particular order, I present a gallery of proto-Surrealists (all according to David Gascoyne’s A Short Survey of Surrealism 1935). As a moustache enthusiast, these pictures really do make me wish I was born 100 years earlier!

lautreamont (more…)



the cause of the other

In a political system that insists on binaries – you must always be either for us or against us – it is difficult to articulate a position that is the rejection of both sides. It seems naive, quixotic maybe, in the clamour and shellshock of military politics to try to make audible a voice that is neither of the armed sides. This is how many observers have experienced the recent massacre in Gaza, as an abhorrence at Israel’s actions, yet also an unease with automatically siding with Hamas. However, what must be recognised is that to temporarily take a side, within the gestural and binary politics of the Spectacle, can be as much a statement of rejection, of disidentification, as of identification with a set of standards that are not truly your own.

So, when I see people in demonstrations on the streets of London declaring that ‘We are all Hamas now’, I do not assume that these people advocate the same extremist positions that are so easily dug up by Israel’s apologists to justify the massive ‘collateral’ damage accumulated in the supposedly justified killing of Hamas members. Identifying with an otherwise repellent political body may be a suspension of beliefs enacted for reasons practical (they are the only people actually fighting back against the Israeli aggressor), juridicial (however questionable, Hamas is democratically elected) or humanitarian  (whilst they seem more devoted to military victory than preserving the lives of the Palestinian people, supporting Hamas seems the closest one can get to supporting the Palestinian people who are bearing the brunt of this conflict).

This scenario is certainly not new or specific to military conflict, having at its core the the basic choice in taking an oppositional position between taking a side and keeping a voice, even if it is someone else’s, or stepping into political obscurity with intact but unacknowledged principles (we can exist in isolation but it means the deepest loneliness). For example – and I hope you will forgive what may seem a trivial issue compared to recent events in Gaza – the French Surrealists for many years held onto a fraught association with the Third International and the French Communist Party in an effort to demonstrate that their aesthetic concerns had political agency and could operate in the service of a wider cause. However, as socialist realism became official doctrine, with its obvious implications on an anti-doctrinal movement of individual liberation like Surrealism, the Surrealists were forced to break with the Party in 1935 and – save for a few years’ association with Trotsky – never really regained any political weight.

Jacques Ranciere offers one way of understanding how ‘We are all Hamas’ comes about, explaining that identifying politically with the Other is often done not so much pro-them, as anti-us. The cause of the other is taken up to register dissatisfaction with the aggressor, rather than everlasting support for the opponent (maintaining, in this case, that it is Hamas as distinct from the Palestinian people who is the opponent; and the us would be the West). The following passage is from an article by Ranciere called ‘The Cause of the Other’ (Parallax 1998, Vol 4 No 2, pp25-33). This passage is also used by Kristin Ross to explain how the May ‘68 chant of ‘We are all German Jews’ was more than just solidarity with Daniel Cohn-Bendit, but part of the process of ‘political “subjectifiction”, as he calls it – the manifestation of political subjectivity – first and foremost in an experience of disidentification or declassification, and not in an experience of shared community’ (May ‘68 and Its Afterlives 2004, p57). Ranciere says,

Politics is not something that is declared in the face of a war that is seen as the emergence into truth of something truly historical. Politics is something declared in the face of policing, defined as the law that prescribes what emerges and what is heard, what can be counted and what cannot be counted.

[...]

Insofar as it is a political figure, the primary meaning of the cause of the other is a refusal to identify with a certain self. It is the production of a people different from the people seen, named and counted by the State, of a people defined by the wrong done to the constitution of of a commonality that was constructing an other communcal space. A political subjectivation always implies a “discourse of the other” in three senses. It is, firstly, a rejection of an identity established by an other, a degrading of that identity, and therefore a break with a certain self. Secondly, it is a demonstration addressed to an other that constitutes a community defined  by a certain wrong. Thirdly, it always contains an impossible identification, an identification with an other with whom one cannot in normal circumstances identify…

[...]

It is the rediscovery of what a political subject (proletarian or otherwise) is: the manifestation of a wrong, a counting of the uncounted, a form of visibility conferred upon something that is supposedly non-visible or that has been removed from visibility (pp. 29-30).



a quick report on the gaza demonstration at hyde park and kensington, 10/01/09
January 11, 2009, 5:32 pm
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gaza

The demonstration on Saturday was fantastically turned-out, with an interesting range of groups and individuals represented. It seems that the mainstream media is considerably underestimating the attendance figures, and the few articles I’ve read – though emphasising the general positivity of the march and speeches – dwell on the unfortunate violence around the embassy.

Its a shame that this is picked up on so much, because it really didn’t characterise the day. The same goes for the occasional chants of ‘Hezbollah’ or even ‘We are all Hamas now’, which made me feel uneasy, but when you notice that it is generally groups of young (teenage, I would guess) guys, you have to realise that some people have a more directly personal and emotive response to the events in Gaza than unaffected people like myself and non-Arab news reporters. The more reactionary voices (certain blogs) that refuse to contextualise this momentary violence – choosing instead to create tenuous accusations of anti-Semitism, despite a number of the speeches expressly stating the opposite – largely miss the fact that emotion often overtakes rationality, and the frustrations of feeling voiceless often find release in symbolic acts of violence.

That said, I do really hope that throwing shoes is taken up as a universal expression of damnation and disgust!

gazaflag

To end, Michael Rosen’s poem to the children of Gaza, taken again from Lenin’s Tomb.

In Gaza, children,
you learn that the sky kills
and that houses hurt.
You learn that your blanket is smoke
and breakfast is dirt.

You learn that cars do somersaults
clothes turn red,
friends become statues,
bakers don’t sell bread.

You learn that the night is a gun,
that toys burn
breath can stop,
it could be your turn.

You learn:
if they send you fire
they couldn’t guess:
not just the soldier dies -
it’s you and the rest.

Nowhere to run,
nowhere to go,
nowhere to hide
in the home you know.

You learn
that death isn’t life,
that air isn’t bread,
the land is for all.
You have the right to be
Not Dead.
You have the right to be
Not Dead.
You have the right to be
Not Dead.



the society of the spectacle

101-5web-mideast-townsstandaloneprod_affiliate91Image from here, via Lenin’s Tomb

…and it is my awareness of my own spectacular distance from the crimes currently being committed in Gaza that leaves me speechless, or at least silenced by that impotent sense of speechlessness that comes from too many words that will always remain too few.



The Kronenburg Shivers
January 6, 2009, 2:00 am
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There is a fantastic video over at We Are Bad from the Savage Messiah event at Tate Britain which I unfortunately missed. Anyone who has been on a Savage Messiah drift before will have experienced already Robin Bale’s invocations of Dionysus, calling upon the good dead and the bad dead as Special Brew splashes on the dirty floor like champagne hitting the prow of a ship.

‘This is for the good dead…’